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DTSTART;TZID=America/New_York:20260807T160000
DTEND;TZID=America/New_York:20260807T170000
DTSTAMP:20260610T134956Z
CREATED:20260605T191533Z
LAST-MODIFIED:20260610T134956Z
UID:10001048-1786118400-1786122000@www.prescottpark.org
SUMMARY:RGC Theatre Princess Party
DESCRIPTION:Step into a world of enchantment with RGC Theatre’s Princess Party —a magical theatre performance for children featuring all their favorite princess songs. Join us for an unforgettable afternoon filled with dazzling performances\, sing-alongs\, and interactive fun. Watch your little ones’ eyes light up as incredibly talented performers bring beloved songs to life and immerse themselves in timeless tales of courage and kindness. Perfect for princess fans of all ages\, this enchanting event promises to create memories that will last a lifetime. Don’t miss the chance to experience the magic of theatre for young audiences right in the park! \nAfter 12 years of working onstage and behind the scenes for a variety of New England theatre companies\, founder and executive director Ro Gavin decided to take their experience and create Ro Gavin Collaborative Theatre as a new outlet for the arts in New Hampshire with a focus on presenting theatre that is unconstrained and inclusive. RGC Theatre offers a unique experience for theatre artists by providing an auspicious environment for artists to create with ingenuity. \nRGC Theatre was officially established in 2021 with the support of Nicole Jones and Andrew Pinard.  \n\n\n\n\n\n\n\n\n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park! \n 
URL:https://www.prescottpark.org/event/rgc-theatre-princess-party
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series,Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/06/SQUARE-RGC-Theatre-Princess-Party.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260807T190000
DTEND;TZID=America/New_York:20260807T190000
DTSTAMP:20260603T135115Z
CREATED:20260527T191555Z
LAST-MODIFIED:20260603T135115Z
UID:10001040-1786129200-1786129200@www.prescottpark.org
SUMMARY:Cinderella
DESCRIPTION:RODGERS + HAMMERSTEIN’S \nCINDERELLA\nPresented by  \nService Credit Union \nMusic by Richard Rodgers\nLyrics by Oscar Hammerstein II\nNew Book by Douglas Carter Beane\nOriginal Book by Oscar Hammerstein II \nOrchestrations by Danny Troob\, Music Adaptation & Arrangements by David Chase\, Additional Lyrics By Douglas Carter Beane\, David Chase and Bruce Pomahac \n\nDates and Times\nRunning most Thursdays through Sundays at 7 pm from June 19 – August 9. \nMatinees will be on July 5 and July 25 at 1 pm.  \nAmerican Sign Language-supported performances will be on Sunday\, June 28; Thursday\, July 9; Saturday\, July 18\, all at 7 pm; and the matinee on Saturday\, July 25 at 1 pm.  \nDates and times subject to change.\n\nAbout the Show\nRodgers + Hammerstein’s Cinderella (Broadway Version) is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein’s most beloved songs\, including In My Own Little Corner\, Impossible/It’s Possible\, and Ten Minutes Ago\, alongside an up-to-date\, hilarious\, and romantic libretto by Tony Award nominee Douglas Carter Beane. \nHistory\n\nOriginally presented on television in 1957\, starring Julie Andrews\, Rodgers & Hammerstein’s Cinderella was twice remade for television\, first in 1965 for Lesley Ann Warren and again in 1997\, featuring Brandy and Whitney Houston. The original Broadway production of Rodgers + Hammerstein’s Cinderella opened in 2013 and starred Laura Osnes\, Santino Fontana\, Victoria Clark\, and Harriet Harris. \nPress \n“You want magic? Wait until you see Cinderella!” – Variety \n\n\n\n\n\n“A timeless musical treasure! [Douglas Carter Beane’s] script crackles with sweetness and freshness.” – The Associated Press  \n\n\n\n\n\n\nRoyal Reservations\nNEW in 2026! Make your Cinderella experience truly magical with a Royal Reservation! For just $225\, your group of up to 8 will enjoy a reserved space in the park\, royal reductions on special merchandise\, regal refreshments\, a photo with Cinderella’s pumpkin carriage\, and a special shout-out before the curtain rises. Space is limited per performance — make your Royal Reservation before the clock strikes midnight! Hello@PrescottPark.org or 603.436.2848. \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/cinderella-20
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/02/Cinderella_Standard_Square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T110000
DTEND;TZID=America/New_York:20260808T110000
DTSTAMP:20260522T202904Z
CREATED:20260415T181008Z
LAST-MODIFIED:20260522T202904Z
UID:10000987-1786186800-1786186800@www.prescottpark.org
SUMMARY:Camp ENCORE! in Willy Wonka KIDS- Extra Golden Ticket
DESCRIPTION:The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder\, in addition to a host of fun new songs\, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth. Roald Dahl’s Willy Wonka KIDS has a flexible cast size with many featured and ensemble roles\, including the singing and dancing Oompa-Loompas. \n\n\n\n\n\nRoald Dahl’s timeless story of the world-famous candy man and his quest to find an heir is a golden ticket to adventure. \n\n  \nPerformers\, artists\, and aspiring technicians ages 6-12 from the Festival’s beloved educational program\, Camp ENCORE! come together to gain valuable teamwork skills\, experience theater arts\, and build confidence. Willy Wonka KIDS is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-willy-wonka-kids-extra-golden-ticket
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/04/willy-wonka-kids-extra-golden-ticket-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T130000
DTEND;TZID=America/New_York:20260808T130000
DTSTAMP:20260522T202920Z
CREATED:20260415T181100Z
LAST-MODIFIED:20260522T202920Z
UID:10000988-1786194000-1786194000@www.prescottpark.org
SUMMARY:Camp ENCORE! in Willy Wonka KIDS- Extra Golden Ticket
DESCRIPTION:The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder\, in addition to a host of fun new songs\, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth. Roald Dahl’s Willy Wonka KIDS has a flexible cast size with many featured and ensemble roles\, including the singing and dancing Oompa-Loompas. \n\n\n\n\n\nRoald Dahl’s timeless story of the world-famous candy man and his quest to find an heir is a golden ticket to adventure. \n\n  \nPerformers\, artists\, and aspiring technicians ages 6-12 from the Festival’s beloved educational program\, Camp ENCORE! come together to gain valuable teamwork skills\, experience theater arts\, and build confidence. Willy Wonka KIDS is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-willy-wonka-kids-extra-golden-ticket-2
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/04/willy-wonka-kids-extra-golden-ticket-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T190000
DTEND;TZID=America/New_York:20260808T190000
DTSTAMP:20260603T135119Z
CREATED:20260527T191707Z
LAST-MODIFIED:20260603T135119Z
UID:10001041-1786215600-1786215600@www.prescottpark.org
SUMMARY:Cinderella
DESCRIPTION:RODGERS + HAMMERSTEIN’S \nCINDERELLA\nPresented by  \nService Credit Union \nMusic by Richard Rodgers\nLyrics by Oscar Hammerstein II\nNew Book by Douglas Carter Beane\nOriginal Book by Oscar Hammerstein II \nOrchestrations by Danny Troob\, Music Adaptation & Arrangements by David Chase\, Additional Lyrics By Douglas Carter Beane\, David Chase and Bruce Pomahac \n\nDates and Times\nRunning most Thursdays through Sundays at 7 pm from June 19 – August 9. \nMatinees will be on July 5 and July 25 at 1 pm.  \nAmerican Sign Language-supported performances will be on Sunday\, June 28; Thursday\, July 9; Saturday\, July 18\, all at 7 pm; and the matinee on Saturday\, July 25 at 1 pm.  \nDates and times subject to change.\n\nAbout the Show\nRodgers + Hammerstein’s Cinderella (Broadway Version) is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein’s most beloved songs\, including In My Own Little Corner\, Impossible/It’s Possible\, and Ten Minutes Ago\, alongside an up-to-date\, hilarious\, and romantic libretto by Tony Award nominee Douglas Carter Beane. \nHistory\n\nOriginally presented on television in 1957\, starring Julie Andrews\, Rodgers & Hammerstein’s Cinderella was twice remade for television\, first in 1965 for Lesley Ann Warren and again in 1997\, featuring Brandy and Whitney Houston. The original Broadway production of Rodgers + Hammerstein’s Cinderella opened in 2013 and starred Laura Osnes\, Santino Fontana\, Victoria Clark\, and Harriet Harris. \nPress \n“You want magic? Wait until you see Cinderella!” – Variety \n\n\n\n\n\n“A timeless musical treasure! [Douglas Carter Beane’s] script crackles with sweetness and freshness.” – The Associated Press  \n\n\n\n\n\n\nRoyal Reservations\nNEW in 2026! Make your Cinderella experience truly magical with a Royal Reservation! For just $225\, your group of up to 8 will enjoy a reserved space in the park\, royal reductions on special merchandise\, regal refreshments\, a photo with Cinderella’s pumpkin carriage\, and a special shout-out before the curtain rises. Space is limited per performance — make your Royal Reservation before the clock strikes midnight! Hello@PrescottPark.org or 603.436.2848. \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/cinderella-21
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/02/Cinderella_Standard_Square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260809T110000
DTEND;TZID=America/New_York:20260809T110000
DTSTAMP:20260522T202941Z
CREATED:20260415T181203Z
LAST-MODIFIED:20260522T202941Z
UID:10000989-1786273200-1786273200@www.prescottpark.org
SUMMARY:Camp ENCORE! in Willy Wonka KIDS- Extra Golden Ticket
DESCRIPTION:The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder\, in addition to a host of fun new songs\, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth. Roald Dahl’s Willy Wonka KIDS has a flexible cast size with many featured and ensemble roles\, including the singing and dancing Oompa-Loompas. \n\n\n\n\n\nRoald Dahl’s timeless story of the world-famous candy man and his quest to find an heir is a golden ticket to adventure. \n\n  \nPerformers\, artists\, and aspiring technicians ages 6-12 from the Festival’s beloved educational program\, Camp ENCORE! come together to gain valuable teamwork skills\, experience theater arts\, and build confidence. Willy Wonka KIDS is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-willy-wonka-kids-extra-golden-ticket-3
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/04/willy-wonka-kids-extra-golden-ticket-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260809T130000
DTEND;TZID=America/New_York:20260809T130000
DTSTAMP:20260522T202959Z
CREATED:20260415T181305Z
LAST-MODIFIED:20260522T202959Z
UID:10000990-1786280400-1786280400@www.prescottpark.org
SUMMARY:Camp ENCORE! in Willy Wonka KIDS- Extra Golden Ticket
DESCRIPTION:The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder\, in addition to a host of fun new songs\, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth. Roald Dahl’s Willy Wonka KIDS has a flexible cast size with many featured and ensemble roles\, including the singing and dancing Oompa-Loompas. \n\n\n\n\n\nRoald Dahl’s timeless story of the world-famous candy man and his quest to find an heir is a golden ticket to adventure. \n\n  \nPerformers\, artists\, and aspiring technicians ages 6-12 from the Festival’s beloved educational program\, Camp ENCORE! come together to gain valuable teamwork skills\, experience theater arts\, and build confidence. Willy Wonka KIDS is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-willy-wonka-kids-extra-golden-ticket-4
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/04/willy-wonka-kids-extra-golden-ticket-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260809T190000
DTEND;TZID=America/New_York:20260809T190000
DTSTAMP:20260603T135124Z
CREATED:20260527T191821Z
LAST-MODIFIED:20260603T135124Z
UID:10001042-1786302000-1786302000@www.prescottpark.org
SUMMARY:Cinderella
DESCRIPTION:RODGERS + HAMMERSTEIN’S \nCINDERELLA\nPresented by  \nService Credit Union \nMusic by Richard Rodgers\nLyrics by Oscar Hammerstein II\nNew Book by Douglas Carter Beane\nOriginal Book by Oscar Hammerstein II \nOrchestrations by Danny Troob\, Music Adaptation & Arrangements by David Chase\, Additional Lyrics By Douglas Carter Beane\, David Chase and Bruce Pomahac \n\nDates and Times\nRunning most Thursdays through Sundays at 7 pm from June 19 – August 9. \nMatinees will be on July 5 and July 25 at 1 pm.  \nAmerican Sign Language-supported performances will be on Sunday\, June 28; Thursday\, July 9; Saturday\, July 18\, all at 7 pm; and the matinee on Saturday\, July 25 at 1 pm.  \nDates and times subject to change.\n\nAbout the Show\nRodgers + Hammerstein’s Cinderella (Broadway Version) is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein’s most beloved songs\, including In My Own Little Corner\, Impossible/It’s Possible\, and Ten Minutes Ago\, alongside an up-to-date\, hilarious\, and romantic libretto by Tony Award nominee Douglas Carter Beane. \nHistory\n\nOriginally presented on television in 1957\, starring Julie Andrews\, Rodgers & Hammerstein’s Cinderella was twice remade for television\, first in 1965 for Lesley Ann Warren and again in 1997\, featuring Brandy and Whitney Houston. The original Broadway production of Rodgers + Hammerstein’s Cinderella opened in 2013 and starred Laura Osnes\, Santino Fontana\, Victoria Clark\, and Harriet Harris. \nPress \n“You want magic? Wait until you see Cinderella!” – Variety \n\n\n\n\n\n“A timeless musical treasure! [Douglas Carter Beane’s] script crackles with sweetness and freshness.” – The Associated Press  \n\n\n\n\n\n\nRoyal Reservations\nNEW in 2026! Make your Cinderella experience truly magical with a Royal Reservation! For just $225\, your group of up to 8 will enjoy a reserved space in the park\, royal reductions on special merchandise\, regal refreshments\, a photo with Cinderella’s pumpkin carriage\, and a special shout-out before the curtain rises. Space is limited per performance — make your Royal Reservation before the clock strikes midnight! Hello@PrescottPark.org or 603.436.2848. \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/cinderella-22
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/02/Cinderella_Standard_Square.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260810T203000
DTEND;TZID=America/New_York:20260810T203000
DTSTAMP:20260610T134839Z
CREATED:20260605T202223Z
LAST-MODIFIED:20260610T134839Z
UID:10001054-1786393800-1786393800@www.prescottpark.org
SUMMARY:Pride & Prejudice
DESCRIPTION:Pride & Prejudice\nMonday\, August 10 at Dusk \nRated PG \n  \n\n\n\n\n\n\n\n\n\n\n\n\nSometimes the last person on earth you want to be with is the one person you can’t be without.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThe story is based on Jane Austen’s novel about five sisters – Jane (Rosamund Pike)\, Elizabeth (Keira Knightley)\, Mary (Talulah Riley)\, Kitty (Carey Mulligan)\, and Lydia Bennet (Jena Malone) – in Georgian England. Their lives are turned upside down when wealthy young Mr. Bingley (Simon Woods) and his best friend\, Mr. Darcy (Matthew Macfadyen)\, arrive in their neighborhood.
URL:https://www.prescottpark.org/event/pride-prejudice
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Movies
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/06/SQUARE-Pride-Prejudice-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260812T190000
DTEND;TZID=America/New_York:20260812T190000
DTSTAMP:20260603T005425Z
CREATED:20260507T151248Z
LAST-MODIFIED:20260603T005425Z
UID:10001004-1786561200-1786561200@www.prescottpark.org
SUMMARY:Ryan Montbleau Band
DESCRIPTION:A relentless road warrior and masterful wordsmith\, Ryan Montbleau has spent the better part of thirty years cultivating a devoted audience on the strength of his ecstatic live shows and exhilarating sonic versatility. He’s collaborated with artists as diverse as Trombone Shorty\, Galactic\, Steel Pulse\, Tall Heights\, Martin Sexton\, Anders Osborne\, and George Porter\, Jr; shared bills with the likes of Tedeschi Trucks Band\, Ani DiFranco\, Todd Snider\, The Wood Brothers\, Rodrigo y Gabriela\, and Mavis Staples; and racked up more than 150 million streams on Spotify alone. NPR’s Mountain Stage compared his “eloquent\, soulful songwriting” to Bill Withers and James Taylor\, while Relix celebrated his “poetic Americana\,” and The Boston Herald raved that “he’s made a career of confident\, danceable positivity.” \n  \nMontbleau’s freewheeling new album finds him exploring the full spectrum of his influences like never before\, touching on folk\, rock\, funk\, soul\, hip-hop\, and reggae\, all with a preternatural ease that belies the intensely focused craftsmanship behind it. The songs are sprawling and unpredictable\, grappling with a modern world perpetually teetering on the edge of chaos\, but the performances are relentlessly optimistic\, insisting on hope and joy in the face of it all. The result is Montbleau’s most vulnerable and cathartic work yet\, an album that acknowledges the inevitability of doubt and pain while at the same time celebrating our limitless capacity for growth and love. \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/ryan-montbleau-band
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/05/SQUARE-11.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260813T190000
DTEND;TZID=America/New_York:20260813T190000
DTSTAMP:20260619T204425Z
CREATED:20260513T163427Z
LAST-MODIFIED:20260619T204425Z
UID:10001008-1786647600-1786647600@www.prescottpark.org
SUMMARY:Allen Stone
DESCRIPTION:Allen Stone\, a soul/R&B luminary\, has enraptured global audiences with his electrifying performances and soulful melodies\, embodying the essence of classic soul legends. His genre-defying style\, blending funk\, gospel\, folk-rock\, and soul\, has garnered critical acclaim and a devoted following. Stone’s journey to musical stardom commenced in Chewelah\, Washington\, where his upbringing immersed him in gospel music as a pastor’s son. Relocating to Seattle\, he tirelessly toured the West Coast in his ’87 Buick\, swiftly gaining acclaim for his dynamic live shows\, often playing up to 200 dates annually alongside luminaries such as Stevie Wonder\, Al Green\, Dave Matthews Band\, Erykah Badu\, and Gary Clark Jr. Notably\, and Chris Stapleton\, further solidifying his status as a tour de force in the music industry. Alongside his prolific touring schedule\, Stone has graced national television screens\, including The Kelly Clarkson Show\, Jimmy Kimmel Live\, The Today show\, and a Celebrity Mentor on ABC’s American Idol.  Stone continues to garner critical acclaim with his latest body of work\, Mystery\, featuring the title track in collaboration with PJ Morton. This release brings infectious rhythms and emotional depth\, solidifying Stone’s place as a powerful voice in modern soul music. You can see on the road this summer with Chris Stapleton and Lainey Wilson on the Great American Road Show.  \n  \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/allen-stone-2
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260814T203000
DTEND;TZID=America/New_York:20260814T203000
DTSTAMP:20260610T134844Z
CREATED:20260605T202735Z
LAST-MODIFIED:20260610T134844Z
UID:10001055-1786739400-1786739400@www.prescottpark.org
SUMMARY:Clueless
DESCRIPTION:Clueless\nFriday\, August 14 at Dusk \nRated PG-13 \n  \n\n\n\n\n\n\n\n\n\n\n\n\nSex. Clothes. Popularity. Whatever.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCher\, a high school student in Beverly Hills\, must survive the ups and downs of adolescent life. Her external demeanor at first seems superficial\, but rather it hides her wit\, charm\, and intelligence which help her to deal with relationships\, friends\, family\, school\, and the all-important teenage social life.
URL:https://www.prescottpark.org/event/clueless
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Movies
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260815T190000
DTEND;TZID=America/New_York:20260815T190000
DTSTAMP:20260603T005743Z
CREATED:20260522T163806Z
LAST-MODIFIED:20260603T005743Z
UID:10001015-1786820400-1786820400@www.prescottpark.org
SUMMARY:Caiola
DESCRIPTION:Jordan Caiola (CAI•OLA) is a songwriter/musician/producer based out of Philadelphia. He founded the indie rock band Mo Lowda & The Humble in 2010 and due to its intense touring schedule\, the band became his main priority along with his side project NightSeason (founded 2016)- an indie/electro-pop producer duo. Though he always felt writing folk songs was his true “wheelhouse”\, it wasn’t until the nationwide lockdown in early 2020 that he finally put aside the time to record a collection of those songs for his first solo album ‘Only Real When Shared’.  Now\, Caiola tours year-round with both Mo Lowda and his solo project.  His second solo record was released in 2024. \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/caiola
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260816T200000
DTEND;TZID=America/New_York:20260816T203000
DTSTAMP:20260618T210203Z
CREATED:20260605T195517Z
LAST-MODIFIED:20260618T210203Z
UID:10001049-1786910400-1786912200@www.prescottpark.org
SUMMARY:To Kill A Mockingbird
DESCRIPTION:To Kill a Mockingbird\nSunday\, August 16 at Dusk \nRated PG \n  \n\n\nThe most beloved and widely read Pulitzer Prize Winner now comes vividly alive on the screen!\n\n\n  \nIn small-town Alabama in 1932\, Atticus Finch (Gregory Peck) is a lawyer and a widower. He has two young children\, Jem and Scout. Atticus Finch is currently defending Tom Robinson\, a Black man accused of raping a white woman. Meanwhile\, Jem and Scout are intrigued by their neighbors\, the Radleys\, in particular the mysterious\, seldom-seen Boo Radley.
URL:https://www.prescottpark.org/event/to-kill-a-mockingbird
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Movies
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260817T200000
DTEND;TZID=America/New_York:20260817T200000
DTSTAMP:20260610T134849Z
CREATED:20260605T204144Z
LAST-MODIFIED:20260610T134849Z
UID:10001056-1786996800-1786996800@www.prescottpark.org
SUMMARY:Wicked for Good
DESCRIPTION:Wicked for Good\nMonday\, August 17 at Dusk \nRated PG \n  \n\n\n\n\n\n\n\n\n\n\n\n\nYou will be changed for good. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAfter challenging the Wizard’s totalitarian regime in Oz\, Elphaba must grapple with her identity as the “Wicked Witch of the West.” Meanwhile\, the Wizard has given Glinda the title “Glinda the Good” and a public status as the nation’s defender against Elphaba. The two witches must make decisions that seal their fates in this second musical installment.
URL:https://www.prescottpark.org/event/wicked-for-good
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Movies
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260819T190000
DTEND;TZID=America/New_York:20260819T190000
DTSTAMP:20260603T010022Z
CREATED:20260513T163731Z
LAST-MODIFIED:20260603T010022Z
UID:10001009-1787166000-1787166000@www.prescottpark.org
SUMMARY:Madi Diaz
DESCRIPTION:Madi Diaz is an artist who cuts to the emotional core of her own experiences with startling precision. Her last two albums\, 2021’s History of a Feeling and 2024’s two-time Grammy-nominated Weird Faith\, set off a breakthrough for the professional songwriter. These records won over critics\, audiences\, and other collaborators with well-crafted songs and a compelling arc: first there’s the difficult breakup\, then a mourning period and slowly\, a sense of reinvention; when love comes around again\, Weird Faith seemed to say\, it’s worth fighting through the fear and uncertainty. Fatal Optimist\, the Nashville singer-songwriter’s forthcoming LP\, could be considered the final chapter in this heartache trilogy\, and also its rawest entry. This time Diaz is asking audiences to lean closer in to hear what she has to say. \nAfter ending a relationship with someone she once envisioned marrying\, Diaz turned away from everyone and everything she knew and took herself to an island. This heartbreak felt different. Every one of them does. Admittedly\, she was embarrassed to be in this position again. How was she going to write about this? “I put myself on an island\,” Diaz wrote in her journal during that time. “I was already describing myself as an emotional island swimming in so much of an ocean of feelings… It was the perfect physical manifestation\, alone with all of my disappointment.” She began to navigate isolation\, and the good things that can come from it. Although people often warn others about isolating\, Madi’s time alone emerged as a powerful\, insightful period of introspection. Rage\, embarrassment and romantic grief shifted into inner wholeness and the pieces of Fatal Optimist started falling into place. “I didn’t know that I hadn’t chosen myself yet\,” she says. “The only person I’m never gonna leave is myself.” \nSolitude called to Diaz again during the initial recording sessions for Fatal Optimist. After entering a New Jersey studio with friends to flesh out the songs\, she later realized it wasn’t right. The album needed to sound like isolation\, to mirror her experience of being completely alone. She wanted to capture the sound of self-soothing. Diaz started over in Southern California with a new co-producer\, Gabe Wax (Soccer Mommy\, Zach Bryan) at his Infinite Family Studio. “This was the first time in my career that I stayed in this heavy place with the songs after leaving the studio\,” she says\, “rather than trying to escape it.” While you’ll find subtle accompaniment from an occasional baritone guitar or bass\, Fatal Optimist comes down to Diaz alone in a room with her acoustic guitar. This is her Unplugged moment\, her stripped-down version\, the Madi Diaz album most likely to haunt you with its starkness. Simplicity can be much more difficult to nail than camouflaging a song with layers of production. It is exactly what these songs needed. \nSong by song\, she traces the phases of dissolution and rebirth like the moon waxing and waning in the night sky for all to see. Opener “Hope Less” unpacks the experience of being offered less than you deserve and trying miserably to shrink your needs. On “Ambivalence\,” Diaz makes a meal out of a shitty feeling and turns that four-syllable word into a quietly anthemic chorus about not being sure if crumbs are enough. The romantic spell is fully broken on “Feel Something\,” where Diaz captures the futility of reaching for emotional connection after it’s already been lost. Instead of calling her ex she wrote this song. It captures the oscillating emotions of post-break-up limbo with energetic acoustic strumming\, and languid electric guitar. \nThe sparse\, devastating “Heavy Metal” was a late addition to the album. It pulls off the songwriting trick of cleverly repurposing a common phrase into a personal mantra: her heart is not precious like gold or silver\, it’s built to endure pain and battle like heavy metal and her mother. Here her voice aches with vulnerability. “I really wanted to write a song that feels as hardcore as I am\,” she says. “I am emotionally heavy metal\, but everything comes out soft.” \nIt’s not like there aren’t moments of weakness\, backslides\, as Diaz waits for time to heal all wounds. She chronicles her not-so-proud moments with just as much gall-force clarity\, grabbing the listener from the very first line on melancholic country song “Why’d You Have to Bring Me Flowers”: “My toxic trait is hanging on\, your toxic trait is showing up.” Just because Diaz chose herself doesn’t mean her heart isn’t broken\, too. But she takes it as a sign that\, at her core\, she still believes in love. \nThe closing title track speaks to her innate hope for something magical despite all the known risks. Here\, Diaz is enveloped by a noisy\, full-band rock sound for the first time on the album\, as if to switch from black and white to technicolor just in time for the story’s cathartic ending. “Making the record felt like walking through fire alone\,” she explains of the sonic shift\, “the reward was getting my friends back and the color back into my world and getting to have this communal sound.” \nIn Diaz’s words\, “Fatal Optimism is the innate hope for something magical. It’s the weird faith that kicks in while knowing that there is just plain risk that comes with wanting someone or something. It’s when you have no control over the outcome\, but still choose to experience every moment that happens\, and put your whole heart in it.” \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/madi-diaz
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260821T190000
DTEND;TZID=America/New_York:20260821T190000
DTSTAMP:20260603T010045Z
CREATED:20260513T165134Z
LAST-MODIFIED:20260603T010045Z
UID:10001010-1787338800-1787338800@www.prescottpark.org
SUMMARY:Fantastic Cat
DESCRIPTION:Fantastic Cat almost died. Each member also individually (but at separate times) faced devastating heartbreak\, went to jail\, got sober\, almost quit music entirely\, reconnected with a long-estranged family member\, started making music again\, hit rock bottom\, had a chance encounter with a mysterious stranger who changed their perspective on life\, almost quit music entirely a second time\, reconciled their progressive\, liberal ways with their strict\, conservative upbringing\, and embraced the raw power of their sexuality. It was quite a summer. \nAnd sure\, you may be reading this right now saying\, “Wow\, that kind of sounds like the band just basically jammed every bio cliché they could think of into a single paragraph without anything to back it up in a pathetically transparent attempt to generate press coverage.” But that kind of cynical thinking is exactly why GQ owns Pitchfork now (or whatever the hell happened there). \nAnyway\, it’s all real\, and if it makes for the kind of inspirational headline that editors and advertisers alike both find highly clickable\, then so be it. \nYou see\, two years ago\, Fantastic Cat was nothing more than a little-known rock and roll band with a cult following (their fans were primarily members of Heaven’s Gate). That all changed with the release of their award-eligible debut\, The Very Best Of Fantastic Cat\, which garnered the kind of press you simply can’t make up. USA Today proclaimed\, “we don’t have a music writer anymore\,” while NPR received multiple copies of the album in the mail\, and The New York Times’ Jon Pareles declared\, “I’m currently out of the office and will respond when I return.” \nSuccess went to the supergroup’s head\, though\, and through a series of dramatic events almost too unbelievable to recount in specific\, verifiable detail\, they nearly lost everything\, only to triumphantly overcome their seemingly insurmountable setbacks in a way that just begs for a Judd Apatow-produced HBO Max documentary (or at the very least\, a decent Spotify playlist placement somewhere closer to the top than the bottom). \nToday\, Fantastic Cat is back and older than ever\, taking America (and the nicer parts of Europe) by storm with their smash hit new album\, Now That’s What I Call Fantastic Cat\, which\, as of this writing\, hasn’t technically been released yet\, but seems almost certain to be a huge success based on industry trends and corporate forecasting. \nGalvanized by a transformative journey into the spiritual vortices of the Pocono Mountains\, the band found inspiration for their sophomore effort in the world of mind-expanding psychedelics: they dropped antacids\, experimented with mushrooms (primarily porcini)\, and even began microdosing a variety of hard seltzers. The result was an album that could only be described as “Christopher Cross crossed with Kris Kristofferson\,” a bewildering blend of stepdad rock and inlaw country destined to solidify their status as your least favorite songwriter’s favorite songwriters. But no one hit the record button\, and the sessions went mercifully undocumented. \nInstead\, the album they turned in to the label is an entirely different collection\, one that meets (but does not exceed) the minimum Grammy® eligibility requirements in all major televised categories. Now That’s What I Call Fantastic Cat! \n  \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/fantastic-cat
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/05/SQUARE.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260822T120000
DTEND;TZID=America/New_York:20260822T120000
DTSTAMP:20260625T190419Z
CREATED:20260615T143140Z
LAST-MODIFIED:20260625T190419Z
UID:10001059-1787400000-1787400000@www.prescottpark.org
SUMMARY:43rd Annual Seacoast Jazz Festival
DESCRIPTION:The 43rd Annual Seacoast Jazz Festival\, in partnership with Seacoast Jazz Society\, is back on the Wilcox Main Stage. \n\nPrescott Park Arts Festival\, in partnership with Seacoast Jazz Society\, is delighted to present the 43rd Annual Seacoast Jazz Festival featuring a host of local\, regional\, and international talent\, amplifying the different styles of jazz. The festival has a tremendous history on the seacoast. The first festival was held in 1983 under the name\, Portsmouth Jazz Festival. For over 25 years\, it was known as the Tommy Gallant Jazz Festival\, to honor legendary local jazz pianist and composer\, Tommy Gallant. In recent years it has become the Seacoast Jazz Festival in the hopes to expand the jazz festival’s reach in the future as a destination event featuring acclaimed jazz artists from around the globe. The Seacoast Jazz Society was formed in 1990 and its mission is to promote jazz through community outreach and education\, to support local musicians\, and to provide scholarships for young artists. For more information about the Seacoast Jazz Society\, or to donate\, please visit www.seacoastjazz.org. \n43rd Annual Seacoast Jazz Festival \nLine-up: 12pm – 6pm \n12:00-12:50 Yoko Miwa Trio. \n1:15-2:05 Soggy Po’ Boys. \n2:30 – 3:20 Nick Grondin Group. \n3:20-3:50 Salsa Secrets \n3:50-4:40 Kristalis y Las Nenas del Swing \n5:00-6:00 Seacoast Big Band \n* Rain Date: Sunday\, August 23 \nPlease note: the line-up is subject to change in the event of a move to the Rain Date \n\n12:00-12:50 Yoko Miwa Trio\n“Yoko Miwa has been gifted with both extraordinary musical skills and has the pure spirit that is necessary for great art. We love her musical gifts and her beautiful spirit as well.” – Ahmad Jamal\n“Miwa is a virtuoso pianist with dazzling technique always in the service of interaction and exchange of ideas.” – Donald Elfman\, NYC Jazz Record\n“Pianist Yoko Miwa displays unpretentious melodies\, elegant phrasing\, and the lyrical sensibility of a jazz poet.” – Jazziz Magazine\n“She has the enviable ability to play in any context with authenticity\, clarity\, and spontaneity…” – Wilbert Sostre\, JazzTimes\n“I greatly appreciate and respect the clarity and strength in Yoko’s playing\, it is very apparent – the honesty\, care and depth of foundation she touches the piano with.” – Benny Green \n  \n \nInternationally acclaimed pianist/composer Yoko Miwa is one of the most powerful and compelling performers on the scene today. Her trio\, with its remarkable telepathy and infectious energy\, has brought audiences to their feet worldwide. Yoko was named a Rising Star Pianist in the 2022\, 2023\, and 2024 DownBeat Critics Poll. The Yoko Miwa Trio’s 2021 release Songs of Joy received wide acclaim and reached #1 on national jazz radio charts and was voted a best jazz album of 2021 in the DownBeat 86th Annual Readers Poll. Jazziz called it “a radiant new collection.” CD Hotlist said “…yet another triumph from one of America’s finest jazz pianists\, composers\, and bandleaders.” Their 2019 CD\, Keep Talkin’\, showcases Miwa’s fine playing and artful compositions and the trio’s uncanny musical camaraderie. DownBeat gave the recording four stars\, calling it “a beautifully constructed album” and noting “the drive and lyricism of a pianist and composer at home in bebop\, gospel\, pop\, and classical.” JazzTimes also reviewed the album favorably\, praising Miwa’s “jaw-dropping degree of technique.” The album enjoyed seven weeks in the top 10 on Jazz Week’s charts\, much like its predecessor\, Miwa’s 2017 release Pathways\, which also made Jazz Week’s top 10 for several weeks. In a 2017 feature article on Miwa\, DownBeat noted her “impressive technique and a tuneful lyricism that combines an Oscar Peterson-ish hard swing with Bill Evans-like introspection.” \nFor more than a decade Miwa’s trio has played regularly at major jazz clubs in their home city of Boston\, as well as venues around the world. A favorite of Jazz at Lincoln Center\, Miwa was chosen to play on “Marian McPartland & Friends\,” part of the Coca-Cola Generations in Jazz Festival. She was also chosen to perform at Lincoln Center’s annual Jazz and Leadership Workshop for The National Urban League’s Youth Summit. Miwa also appears regularly at New York’s famed Blue Note Jazz Club as well as Birdland and has performed and/or recorded with a wide range of jazz greats including Sheila Jordan\, Slide Hampton\, Arturo Sandoval\, George Garzone\, Jazzmeia Horn\, Jon Faddis\, Jerry Bergonzi\, Esperanza Spalding\, Terri Lyne Carrington\, Peter Washington\, Kevin Mahogany\, John Lockwood\, Dominique Eade\, Calvin Keys\, and Johnathan Blake among others. In 2018 she performed on the main stage at the Atlanta Jazz Festival and the Litchfield Jazz Festival\, where her trio drew the largest audience of any act. She is a Yamaha Pianos Artist\, JVC Victor Entertainment and Ubuntu Music recording artist\, 10X nominated and 2019 Winner in the Boston Music Awards as Jazz Artist of the Year\, and Boston Phoenix Best Music Poll winner.\nMiwa’s story of becoming a jazz musician is full of serendipity and happy twists of fate. In the late 1990s the classically-trained artist auditioned for Berklee College of Music on a lark and ended up winning a full scholarship. She arrived at the school from her homeland of Japan in 1997\, intending to stay for a year. In 2022\, she’s still in Boston\, enriching the city’s musical life and serving as one of the most popular professors in the Berklee piano department. \nAct Naturally\, the Yoko Miwa Trio’s major label debut in Japan\, came out in 2012 on the JVC Victor Entertainment label and the band toured Japan that same year. “She is one of the best jazz pianists in Japan\,” said Yozo Iwanami\, Jazz Hihyo Magazine. \nA native of Kobe\, Japan\, Miwa didn’t pursue an interest in jazz until she met and studied with Minoru Ozone\, a popular television organist and nightclub owner who is the father of pianist Makoto Ozone. Miwa worked at Ozone’s club and as an accompanist and piano instructor at his music school until the great Kobe earthquake of 1995 destroyed both facilities. Then\, while continuing to take private lessons from Minoru Ozone\, she also pursued musical studies at the Koyo Conservatory in Kobe. From there she won first prize in a scholarship competition to attend Berklee. Miwa quickly began playing with a host of talented students and teachers\, and she formed a strong bond with vocal great Kevin Mahogany\, who chose the pianist to serve as accompanist in his classes and on his gigs. \nMiwa has released nine highly acclaimed CDs: In the Mist of Time (Tokuma\, 2000); Fadeless Flower (Polystar\, 2002); Canopy of Stars (Polystar\, 2004); The Day We Said Goodbye\, recorded live at the studios of WGBH-FM (Sunshine Digital\, 2006); Live at Scullers (Jazz Cat Amnesty\, 2011); Act Naturally (JVC Victor Entertainment\, 2012)\, Pathways (2017)\, Keep Talkin’ (2019)\, and Songs of Joy (Ubuntu Music\, 2021). \n \n \n\n1:15-2:05 Soggy Po’ Boys\n“Although New Hampshire isn’t the most obvious home for a group so devoted to the culture of The Big Easy\, the Soggy Po’ Boys seem genuine in their ambition to spread the word about jazz New Orleans style\, and they’re creating an accessible and fun way into this world.”\n-London Jazz News        \nThe Soggy Po Boys\, native to New England\, have quickly become an institution. They are spreading the good news of New Orleans music across the northeast and beyond\, playing at concert halls and street corners; music festivals and burlesque festivals; bars and libraries; wherever the party requires. Part of the beauty of New Orleans music is that it’s celebrated and appreciated wherever it goes\, from the street to the theater.\nThe Po Boys formed in 2012 to shake the walls of a local club on a Fat Tuesday but have honed their sound and become more than a Mardi Gras centerpiece. Exploring the vast musical traditions of New Orleans and expanding their repertoire to look beyond NOLA jazz\, the band includes traditional Caribbean tunes (it’s been said that New Orleans is the northernmost city in the Caribbean)\, as well as Meters funk\, soul\, and brass band / street beat music. \nThere are a myriad of traditions that flow into New Orleans culture just as there are tributaries that feed the Mississippi\, and the Po Boys are eager to explore what makes the music of New Orleans so damn special. You’ll hear the heavy influence of the New Orleans sound across the band and in the stories told by their original tunes. In line with the scope of its sound\, the outfit is eight people and thrives on the interplay and group dynamics that bring this music to life.\nThe Soggy Po Boys are: \nShaina Schwartz : Vocals \nJim Dozet : Vocals + Guitar \nEric Klaxton : Clarinet + Saxophones \nNick Mainella : Tenor Saxophone \nJosh Gagnon : Trombone \nMike Effenberger : Piano \nScott Kiefner : Bass \nBrian Waterhouse : Drums \n \n \n\n\n\n2:30 – 3:20 Nick Grondin Group\n\nNick Grondin – Guitar\n\nGregory Groover – Saxophones \nJason Palmer – Trumpet \nTaylor O’ Donnell – Voice \nMark Shilansky – Keyboards \nFernando Huergo – Bass \n\n\nLee Fish – Drums\n\n\n\nNick Grondin – guitar\n\n\nAn experienced performer and award-winning composer\, guitarist Nick Grondin has presented his music to audiences throughout the U.S. and Europe\, including France\, Italy\, Germany\, and at the Panama Jazz Festival. The Nick Grondin Group which presents his original music as modern musical storytelling—inspired by rock\, folk and contemporary jazz styles.  Their latest album\, A View of Earth\, features producer/pianist Jon Cowherd as well as Grammy-winning vocalist Aubrey Johnson\, and can be heard on streaming platforms. Grondin is an active educator\, Resident Artist in Jazz Guitar at the University of New Hampshire and an Associate Professor of Ear Training at Berklee College of Music in Boston.  His teaching methods focus on building musicianship and applying it to real-world applications such as improvisation\, songwriting and internalizing repertoire\, and developing creativity through shared musical experiences.  Influenced by jazz guitarists such as Wes Montgomery\, Kenny Burrell\, Jim Hall\, Pat Metheny\, Emily Remler\, John Scofield and Bill Frisell—with his guitar\, Grondin illuminates classic jazz standards and jazz-takes on popular and rock songs as well.  Grondin completed a Doctor of Musical Arts degree in Jazz Performance from the New England Conservatory in Boston (NEC)\, where he also received his Master of Music in Jazz Composition. \nGregory Groover – saxophones \nNew York-born and Boston-bred\, emerging saxophonist\, composer\, and educator Gregory Groover Jr has already left an indelible mark in the jazz world\, in a short period. Saxophonist Walter Smith III describes him as  “a thematic musician\, whose playing very much relates to the song. He plays with a lot of energy\, and he leads with that. The heart is the most important thing – the direction and motion of what he plays is where he really feels.” Raised with a devotion to music\, Groover’s artistry seamlessly marries genres as he continues to push the boundaries of jazz while honoring its deep legacy.  Groover’s dedication to his craft and unwavering commitment to excellence have solidified his position as a prominent figure in the contemporary jazz scene. As a bandleader\, Groover has released two albums (Negro Spiritual Songbook\, Vol 1 & 2) and made his Criss Cross Records debut in April 2024 with his record\, Lovabye. In addition to being a bandleader\, Groover is a highly sought-after collaborator\, having performed at music festivals in the United States\, Latin America\, Europe\, and Africa. As an educator\, Gregory has served as the co-chair of music at his alma mater\, the Boston Arts Academy\, where he provided instruction in Jazz studies to the next generation of artists and scholars. Gregory currently serves as the Assistant Chair of Ensemble at the world-renowned Berklee College of Music. His dedication to uplifting the next generation of artists underscores his belief in the transformative power of music. \n  \nJason Palmer – trumpet \nTrumpeter\, Composer\,| Educator Jason Palmer has performed with Roy Haynes\, Wynton\nMarsalis and the Lincoln Center Jazz Orchestra\, Kurt Rosenwinkel\, Ravi Coltrane\, Jeff Ballard\,\nLee Konitz\, Phil Woods\, Common\, Roy Hargrove\, and Lewis Nash. In addition to performing on over forty albums as a sideman\, Jason has recorded 17 albums under his own name on labels Ayva\, Steeplechase\, Newvelle\, and most recently with Giant Step Arts. Four of his recordings were reviewed by Downbeat Magazine\, all receiving 4 stars or better. Jason has toured in over 40 countries with saxophonists Mark Turner\, Greg Osby\, Grace Kelly\, Allison Miller\, and Matana Roberts\, and has been a featured guest artist on multiple projects in Portugal\, Mexico\, Canada\, and Russia. In addition to a heavy performing schedule\, Jason Palmer offers his passion for improvisedmusic as Assistant Professor of Ensembles and Brass at Berklee College of Music\, Jazz Trumpet Professor at the New England Conservatory of Music\, and the Ravenscroft visting Jazz Artist at Arizona State University. \n  \nTaylor O’ Donnell ­– vocals \n​Known for her exploratory use of vocal timbre and texture in her musical stylings\, Taylor O’Donnell uses her roots in R&B\, folk\, jazz\, rock\, and classical music training to communicate her musical dialogue. Growing up in Colorado and living all over\, from Florida to Maine\, her performing experience has taken her from playing with her jazz trio on cruise ships and throughout New England to performing with symphony orchestras. Currently\, Taylor serves as the Director of Music for the First Unitarian Universalist Society of Exeter (FUUSE). As an educator and conductor\, she holds the positions of Associate Professor of Voice at Berklee College of Musicvand teaches voice in her private studio and online. Her expertise involves helping others deepen their capacity to listen\, guiding the exploration of one’s voice through somatic awareness\, and inspiring her students and choirs to sing with passion and prowess. Highlights of Taylor’s career have been an appearance on the Oprah Winfrey Show working with producer David Foster\, performing at Carnegie Hall and Lincoln Center in NYC\, working with Grammy award winning producer Rudy Perez\, singing background vocals for singer-songwriter Ben Folds\, and was the 2020 New Year’s Eve Guest Artist with the Portsmouth Symphony. Currently\, Taylor can be seen performing with Vintage Vocal Quartet\, and in duo settings with pianists Jed Wilson and Mike Effenberger. \n  \nMark Shilansky – keyboards \n“Inventive\, modern mainstream jazz pianist” (Jon Garelick\, Boston Globe) Mark Shilansky (Piano) provides melodic improvisation and infectious compositions on his own and to a host of jazz luminaries\, as well as to the classroom\, as a professor at Berklee College of Music and the University of New Hampshire. Shilansky’s six recordings as a leader include 2007’s “Join the Club\,” a mostly Latin Jazz affair featuring David Bowie saxist Donny McCaslin\, and 2013’s “Fugue Mill\,” the eponymous debut of his Jazz/Bluegrass/Celtic project featuring violin phenom Sara Caswell\, and he is featured on over 60 recordings as a keyboardist\, vocalist\, composer/arranger\, or producer\, and in performance as band member for such artists as the New York Voices\, Luciana Souza\, and David Thorne Scott. As an artist he embraces the history of the styles in which he works\, while seeking connections between them as a way of expressing a personal musical vision\, characterized by lush harmonies\, the exploration of the line between composition and improvisation\, and an ever-present sense of humor. His works have been recorded by Robin McKelle\, Kim Nazarian\, and by Jazz All-State and College ensembles around the world. \n  \nFernando Huergo – bass \nFernando Huergo is a bassist\, composer\, and educator from Cordoba\, Argentina\, now based in Boston. He has recorded over 140 albums\, including 11 as a leader. Fernando has toured and given clinics in North\, Central and South America\, Europe and Asia. An active performer on the jazz scene\, he currently plays with Guillermo Klein y Los Guachos\, MOZIK\, Mehmet Sanlikol\, Daniel Ian Smith\, Pablo Ablanedo\, and El Eco\, to name a few. Fernando Huergo has performed with his quintet at the Buenos Aires Jazz Festival\, and Cordoba International Jazz Festival in Argentina\, as well as at Alexanderplatz Jazz Club in Rome\, Italy\, and Sunside Jazz in Paris\, France\, The Regattabar in Cambridge\, MA and Cornelia Street Cafe in NYC\, among others. \n\n\n\n  \n  \n  \n\n\n\nLee Fish – drums \nAcclaimed Boston-born drummer and composer Lee Fish has been part of the thriving Brooklyn music scene since 2018. A fixture at Wally’s Cafe during his student tenure at Berklee — playing with such distinctive leaders as Jason Palmer\, Esperanza Spalding\, Nadia Washington\, and Evgeny Lebedev — Lee became a highly sought collaborator in Boston\, who’s now flexing his breadth as a leader in New York City. Having earned his master’s degree on full scholarship at the Berklee Global Jazz Institute\, Lee received his earliest musical education on the road. Long before he studied under Danilo Pérez\, Terri Lyne Carrington and Joe Lovano\, at age 3\, he would perform with his parents’ band Amante at venues across North America\, from Florida to Quebec. Since then\, he’s performed all over the world on nearly every continent\, appearing on more than 50 recordings\, including Mike Tucker’s 2014 release Live! Featuring Warren Wolf\, and Jason Palmer’s critically acclaimed 2019 release Sweet Love that received four stars from DownBeat Magazine. “Lee Fish is one of my favorites — inventive\, tasteful\, and exciting — a creative force to watch for on the instrument”— Terri Lyne Carrington \n\n\n\n\n\n\n\n\n\n\n\n\n \n \n\n\n\n3:20 – 3:50 Salsa Secrets\n\n\nSalsa Secrets was born out of Piotrek Kowalczyk ‘s love of music and self healing that he experienced through dance. Since 2010\, Piotrek has been sharing The Healing Power of Dance in the Portsmouth NH\, Newburyport MA and Boston MA communities. Salsa Secrets has been dedicated to being part of the dance community in a positive way\, making dance accessible to everyone who desires to experience it. Each year\, Salsa Secrets volunteers time\, workshops and classes to various organizations and causes in order to give back to the communities that have been so welcoming to us. In 2015\, Piotrek and Krystal Couture met and began their journey as partners in life and in dance. Piotrek and Krystal are happy to share the creation of their love and passions with the salsa family. We are honored to dance with you and see your growth in dance and in spirit.\n\n \n\n\n\n\n3:50-4:40 Kristalis y Las Nenas del Swing\n\n\n\n\nKristalis y Las Nenas del Swing is a vibrant Latin music ensemble known for bringing energy\, rhythm\, and passion to every performance. Blending Cuban music with Puerto Rican salsa\, the group celebrates the rich traditions of Caribbean music through dynamic live shows filled with dance\, culture\, and soul. Inspired by legendary artists such as Celia Cruz\, La India\, and many more. The band delivers powerful vocals\, infectious rhythms\, and timeless melodies that connect with audiences of all backgrounds. Led by Kristalis\, the group is recognized for its charismatic stage presence and joyful celebration of Latin music and heritage.\n\n\n\n\n\n\nKristalis Sotomayor Matos – flute\, vocals\nRebecca Cline – piano\nIris Gomez – bass\nBarbara Zamora – vocals\nMagaly Nuñez – vocals\nCamila Porto – tenor sax\nJudity Soberanes – congas\nPedro Sanjur – timbales\nJuan Sebastián Ramírez – bongo and campana\n\n\n\n\n \n\n\n5:00-6:00 Seacoast Big Band\n \nThe Seacoast Big Band has entertained audiences in New England for more than 40 years. Based in Durham\, NH\, the band features outstanding performers and educators from up and down the I-95 corridor and regularly performs with internationally recognized guest artists\, including at previous Seacoast Jazz Festivals with artists such as Ed Shaughnessy\, Clark Terry\, Carmen Bradford\, Sharon Jones\, and Alexa Tarantio. Dr. Nathan Jorgensen is the musical director of the longstanding organization and was preceeded in that role by Dave Seiler. \n\n\n\n\n \n\n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/43rd-annual-seacoast-jazz-festival
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T200000
DTEND;TZID=America/New_York:20260824T200000
DTSTAMP:20260610T134855Z
CREATED:20260605T204748Z
LAST-MODIFIED:20260610T134855Z
UID:10001057-1787601600-1787601600@www.prescottpark.org
SUMMARY:F1
DESCRIPTION:F1\nMonday\, August 24 at Dusk \nRated PG-13 \n  \n\n\n\n\n\n\n\n\n\n\n\n\nEvery Second Counts.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDubbed “the greatest that never was\,” Sonny Hayes was FORMULA 1’s most promising phenom of the 1990s until an accident on the track nearly ended his career. Thirty years later\, he’s a nomadic racer-for-hire when he’s approached by his former teammate Ruben Cervantes\, owner of a struggling FORMULA 1 team that is on the verge of collapse. Ruben convinces Sonny to come back to FORMULA 1 for one last shot at saving the team and being the best in the world. He’ll drive alongside Joshua Pearce\, the team’s hotshot rookie intent on setting his own pace. But as the engines roar\, Sonny’s past catches up with him and he finds that in FORMULA 1\, your teammate is your fiercest competition–and the road to redemption is not something you can travel alone.
URL:https://www.prescottpark.org/event/f1
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Movies
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/06/SQUARE-F1-2.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260828T190000
DTEND;TZID=America/New_York:20260828T190000
DTSTAMP:20260603T010210Z
CREATED:20260515T183843Z
LAST-MODIFIED:20260603T010210Z
UID:10001012-1787943600-1787943600@www.prescottpark.org
SUMMARY:Langhorne Slim
DESCRIPTION:Langhorne Slim\, a beloved and acclaimed American singer\, songwriter and performer. Over the last 2 decades he has merged a stew of styles to create a sound that is unique\, powerful and raw. From campfires to dive bars\, and theatres to arenas\, Slim brings an intimacy and edge through his innate ability to connect with his audiences. Though he’s been at this for the better part of his days\, it somehow feels like he’s just getting started. \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/langhorne-slim-2
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/05/SQUARE-Langhorne-Slim-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260829T190000
DTEND;TZID=America/New_York:20260829T190000
DTSTAMP:20260603T135130Z
CREATED:20260515T185350Z
LAST-MODIFIED:20260603T135130Z
UID:10001013-1788030000-1788030000@www.prescottpark.org
SUMMARY:The Devil Makes Three
DESCRIPTION:The Devil Makes Three has always thrived in the spaces between genres\, where the grit of folk\, the soul of blues\, and the rebellious spirit of punk collide. Their music doesn’t just follow the American storytelling tradition—it redefines it. Whether evoking the deep melancholy of Delta blues or the frenetic energy of punk\, their sound is raw\, powerful\, and unmistakably their own. For over two decades\, this genre-defying trio has carved out a place in the American roots scene\, delivering high-energy performances that leave audiences captivated and wanting more. They’ve released seven studio albums and three live recordings\, with their latest\, Spirits\, marking a return to their stripped-down roots. \n  \nFormed in 2002 in Santa Cruz\, California by Pete Bernhard and Cooper McBean\, the trio\, now featuring longtime collaborator MorganEve Swain (taking over on upright bass and vocals for Lucia Turino)\, has continued to evolve musically while staying rooted in their core sound. The Devil Makes Three has built a devoted fanbase by embracing the raw\, unpolished edge of acoustic music\, and their latest album\, Spirits\, adds yet another layer to this ever-expanding sonic palette. \n  \nThe new album\, produced by Grammy-winner Ted Hutt (Old Crow Medicine Show\, Dropkick Murphys\, The Gaslight Anthem and Violent Femmes among others)\, takes listeners through a journey of grief\, addiction\, division\, and personal resilience. Songs like “Lights on Me” and “Spirits” delve into the emotional weight of loss and death\, reflecting Bernhard’s experience of losing close family members and friends during the album’s creation. Meanwhile\, tracks like “Half as High” and “Divide and Conquer” tackle broader social themes\, speaking to the ever-widening economic divide and political fragmentation in today’s volatile climate.  \n  \nWith frequent collaborator MorganEve Swain (from longtime tourmates Brown Bird)  taking over on upright bass and vocals for Lucia Turino on upright bass and vocals—the band recorded Spirits at Dreamland\, a converted church studio outside Woodstock\, New York\, where haunting thunderstorms mirrored the album’s somber\, introspective mood. The result is a powerful collection that marries the band’s signature Americana sound with new depth\, capturing the essence of resilience in the face of adversity. \n  \n“There’s definitely a theme of ghosts and death running through this album\,” says Bernhard\, who reflects on personal loss\, as well as the social and political struggles of our time. “We wanted this record to speak to the challenges people face today\, whether it’s loss\, addiction\, or the divisions tearing people apart.” \n  \nYet\, despite these heavy themes\, The Devil Makes Three maintains their core identity as a rhythm-driven\, live band meant for dancing and celebration. Their shows continue to bring together a diverse and dedicated fanbase\, where revelry and catharsis meet in equal measure. \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/the-devil-makes-three
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/05/SQUARE-14.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260904T200000
DTEND;TZID=America/New_York:20260904T200000
DTSTAMP:20260610T134900Z
CREATED:20260605T205048Z
LAST-MODIFIED:20260610T134900Z
UID:10001058-1788552000-1788552000@www.prescottpark.org
SUMMARY:Hamilton
DESCRIPTION:Hamilton\nFriday\, September 4 at Dusk \nRated PG-13 \n  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nExperience the Original Broadway Production\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n“Hamilton” is the story of America then\, told by America now. Featuring a score that blends hip-hop\, jazz\, R&B\, and show tunes\, “Hamilton” has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theater–a musical that has had a profound impact on culture\, politics\, and education. Captured at the Richard Rodgers Theater on Broadway in June 2016\, the film transports its audience into the world of the Broadway show in a uniquely intimate way.
URL:https://www.prescottpark.org/event/hamilton
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Movies
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/06/SQUARE-Hamilton-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260906T190000
DTEND;TZID=America/New_York:20260906T190000
DTSTAMP:20260624T194952Z
CREATED:20260515T192324Z
LAST-MODIFIED:20260624T194952Z
UID:10001014-1788721200-1788721200@www.prescottpark.org
SUMMARY:Margo Price with Jeremy Ivey
DESCRIPTION:Nearly a decade ago\, Margo Price turned Nashville on its head with her breakthrough\, beloved debut solo album\, Midwest Farmer’s Daughter. Released in the throes of bro-country and before pop stars were crossing over into the genre left and right\, it showcased an artist completely unafraid to double down not only on herself\, but what she’d always loved: classic country songs written from the intellect and the gut\, hell-bent on truth-telling and both timeless and urgent all at once. Respected by her peers\, praised by critics and beloved by her fans\, Price created a lane where independent-minded\, insurgent country music can exist and thrive alongside the mainstream\, and became an ardent fighter for her beliefs in a genre where the norm is to shut up and sing. A trailblazer and a champion for the craft\, Price redefined what it meant to be a modern country artist. \nAnd now she’s back with an exquisite\, truly timeless album that reconnects with her roots and pays tribute to the art of the country song\, inspired in part by the legends whom she now calls colleagues and friends. Hard Headed Woman is both a look forward and a look back: a way to march forward while staying true to yourself when the path of less resistance is right there in front of us\, and short cuts are around every corner. And a way to look back when we need to trim what is no longer working\, and to stay connected with where we’re from. It is a promise and a manifesto\, a love song to both a city and a genre\, and a defiant cry for individuality. \nIn creating Hard Headed Woman\, Price brought all of her power as one of  our most beloved and respected songwriters to craft a deep exploration of love and America in a time of unprecedented uncertainty. Featuring appearances from Tyler Childers\, co-writes with Rodney Crowell and a Waylon Jennings song that his widow\, Jessi Colter\, urged her to sing\, it is country music as only Price can make it: free of rules\, cherishing tradition\, hard headed to the core but with a delicate\, beating heart.  \nSince releasing Midwest Farmer’s Daughter\, Price has barely slowed down. She’s made four records\, played Saturday Night Live\, been nominated for a Grammy\, toured the world alongside artists like Chris Stapleton and Willie Nelson\, released a lauded memoir (Maybe We’ll Make It\, due on paperback September 2nd)\, became an in-demand producer and was appointed as the first female board member of Nelson’s Farm Aid. And she’s been fearless when it came to genre\, venturing into psychedelic rock on her most recent\, Jonathan Wilson-produced record\, Strays. It would have been easiest to just stay that course\, and keep running. But Price doesn’t follow success or comfort. She follows the art. \nIt took a whole lot of hard work and honesty with herself and others to get there\, but that’s never stopped Price before.  “I made the decision that I had to rebuild everything from the ground up\,” Price says. “There’s all this pressure to be pumping out content\, and I felt the opposite in the way I wanted to approach this record and my life in general.” \nPrice had also established herself as one of the most passionate\, vocal artists in country music and beyond when it came to standing up for political and personal causes\, from the presidential election\, to abortion to gun control: happily hard headed when it came to the fight for equality and justice\, especially for the working class and underserved in our society. Price has always brilliantly woven her activism into her songs\, but her role as a spokesperson had started to overtake\, on occasion\, her role as a songwriter. She wanted to focus on using her written word to deliver the most potent punch of all. \n“I always hope to do like Johnny Cash did\,” Price says\, “which is speak up for the common man and woman. But there have been so many threats and anger and vitriol over the years\, when I am only coming from a place of love.” \nPrice realized she just needed a break from everything outside of the bubble of family life and her art. She started spending more time at home\, writing songs alone and with her husband\, Jeremey Ivey. She started popping up in the dive bars and tiny venues around Nashville where she got her start\, sometimes just to play a country cover or two or dance with the crowd. She refused guidance to write for pop stars or compromise her values for a quick buck. Most of all\, she turned the emphasis in her music back to songwriting\, exactly where she began.          \n“So much of Strays was leaning into this psychedelic\, textural territory\,” says Price. The music lent itself to vibrant\, heavy stage jams\, with Price often hopping behind the drumkit and bruising her thigh from a tambourine beat. She found herself longing for the days when it was just her and her guitar\, playing at an East Nashville dive bar. “I always knew\,” she adds\, “I would come back to this more rooted sound.” \nHard Headed Woman is rooted to its core. Rooted in Price’s history and struggle to make it as a musician for so many years in a town that prizes uniformity and the bottom line\, rooted in the country and folk sounds that have become her signature\, rooted in the simplicity of a few key collaborators instead of songs-by-committee. At the heart of Price’s work is her creative partnership with Ivey\, with whom she describes as having a “soul connection.” “I’m a songwriter\,” Price says. “I’m not somebody who goes out and needs five people to craft a song\, and then tack my name on it. That’s never been my style. I have something to say.” \nSomething to say\, nothing to prove. The first song they wrote for the album that would become Hard Headed Woman was “Close to You\,” a simple\, pining call for a lover that is infused with the sounds of the desert. It’s unfettered and truth-telling\, accented by some flamenco guitar and Price’s gorgeous\, urgent vocals. “We played the jukebox while democracy fell\,” Price sings\, never letting her songs fall out of the context in which they exist. It’s the kind of thing that only she could write\, carrying both love and fear in one single line. \nAs more songs started to form\, an early boost of confidence came from her friends Rodney Crowell and Emmylou Harris\, who heard some of the work at a political fundraiser and encouraged Price to keep going.  “I have both of them to thank for building me up and making me believe in the songs I am writing in this season of my life\,” Price says. Crowell remained not only an inspiration and supporter of the album but a contributor: he co-wrote two songs with Price and Ivey. \nThe album that unfolded from there is drenched in Price’s unique story and unshakeable instincts: while Midwest Farmer’s Daughter was about her journey from childhood to Nashville\, Hard Headed Woman is very much her battle since from dive bars to tour buses\, through parenthood and marriage\, through scrutiny and sacrifice all while fighting constantly for what she believes in\, and the music she loves. It begins with a proclamation on the prelude\, which serves as the album’s mission statement: or\, Price puts it\, “a disclaimer and reminder that I don’t owe you fucking shit.” \nSongs like the album’s lead single\, “Don’t Let the Bastards Get you Down\,” speak for the downtrodden and the forgotten\, an “anthem for people who are being overlooked in society and need to be lifted up\,” Price says\, “because we are up against so much right now.” As so many of Price’s songs do\, it speaks both for the personal and the political all at once. Price was inspired by the message Kris Kristofferson whispered to Sinead O’Connor when she was booed on stage at a Bob Dylan 30th Anniversary show\, and even got Kristofferson’s widow’s blessing to include his name on the credits. “I always admired Kris for how he stood by her in that moment\, instead of pulling her off the stage like they told him\,” Price says. It serves as a reminder to anyone who encounters resistance in the face of fighting for justice to keep going\, especially when it would be so much easier to capitulate and cower. \n“The song was originally written for a movie that never happened\, but it feels so timely with everything that’s going on in the world\,” Price explains. “The phrase\, ‘Don’t Let The Bastards Get You Down’ originates from Margaret Atwood’s brilliant 1985 piece of literature\, The Handmaid’s Tale. It’s referred to in Latin and used as a rallying cry for resistance against the oppressive regime that symbolizes resilience and hope in the face of adversity. Nolite te Bastardes Caborundorum.” \nThat spirit resonates all across the songs of Hard Headed Woman. The blistering “Don’t Wake Me Up” was based around some writings that Ivey stumbled upon in one of Price’s notebooks\, inspired in part by her deep readings of Frank Stanford\, one of her favorite poets due to his freewheeling work free of boundaries. They spun it all into song in minutes that chugs with the essence of Dylan’s “Subterranean Homesick Blues”: “The way this world is going\, ain’t where I’m at\,” Price howls in her powerful\, unmistakable voice. “Nowhere is Where\,” turns slow and contemplative\, road-worn but never broken\, the call of someone who has been to the mountain but never forgets the prairie below. And “Losing Streak” whirls in with an organ and out with a weary\, world-worn defiance: our worst times don’t define us\, but they’re always part of who we are. \nThere are songs that go back to the beginning of Price’s early grind\, like the western-tinged “Wild at Heart\,” reflecting on how much her life and the city of Nashville has changed over the years – and how important it is to stay true to exactly who you are despite it all. Another\, called “Red Eye Flight\,” is about both leaving a lover and also leaving her longtime band the Pricetags. “I’ve been with those players for ten\, thirteen years\,” she says. “But I could feel that I needed to make a change\, and to change texturally what’s going on with the band. But it’s a familial bond\, different than a friendship.” \nThere are a few choice covers and cuts\, too: “Love Me Like You Used To Do” is by Price’s friend Steven Knudson\, an unsung Nashville writer on whom she hopes to shine a spotlight (helping to elevate the town’s incredibly talented but buried voices is one of Price’s favorite pastimes). Friend Tyler Childers joins Price on that waltzing country ballad\, while “I Just Don’t Give a Damn” is Price’s “Jolene goes to Memphis” take on the Jimmy Peppers and George Jones classic. And showcasing how Price has been trusted by the greats to lead the next generation of country music renegades\, “Kissin You Goodbye” was given to Price by Jessi Colter\, Waylon Jennings’ widow\, when Price was producing her record. They’re songs chosen to appreciate the past and the present as she sees it – not as Music Row or the algorithm might dictate – and place Price squarely amongst her heroes as a living and breathing part of the new country tradition. \nWhen it came time to record Hard Headed Woman\, it was important for Price to keep that ethos alive\, decamping to Nashville’s RCA Studio A and reuniting with producer Matt Ross-Spang\, with whom she made her first two solo albums. Though she has worked with everyone from Sturgill Simpson to Jonathan Wilson since\, it was Spang’s vocal rebuke of easy studio shortcuts that made her eager to reunite again. “He’s so unpretentious\,” Price says. “He fully believes in me\, he fully believes in my songs. He got us back to feeling it in your gut and not needing everything to be so perfect.” \nIt felt truly significant for Price to make the album in Nashville\, a city where she’s lived for over two decades and played a seminal role in its transformation\, yet somehow never recorded an album in the place she’s called home. The historic RCA Studio A helped connect Price even closer to the legacy of songwriting she holds so dear\, a place where everyone from Dolly Parton to John Prine to Loretta Lynn have made albums. “It felt like there were ghosts and spirits just hanging out\,” Price says. In perfect kismet\, she also launched her own signature Gibson J-45 guitar\, inspired by her 1960’s Gibson she’s had by her side for years as her career took off. It’s all part of the continuity that she wishes to create with her art\, not just with timeless songs but inspiring future generations of women\, mothers and artists in general who don’t want to sacrifice their vision\, moral compass or family life in favor of mainstream success. \nAt its core\, Hard Headed Woman is about that furious instinct to never waver\, especially when ourselves\, our values and our future is so clearly on the line. As she sings on the title track\, “I ain’t ashamed\, I just am what I am.” \n     “I hope this album inspires people to be fearless and take chances and just be unabashedly themselves\,” Price says\, “in a culture that tries as hard as it can to beat us into all being the same.” \n \n\nwith Jeremy Ivey\nNashville-based singer\, songwriter\, and multi-instrumentalist\, Jeremy Ivey first established himself in the early 2010s as a member of the country-soul band Buffalo Clover alongside his wife\, singer/songwriter Margo Price. When Price’s career took off in 2016\, Ivey served as her guitarist and sideman for several years before signing a deal with Anti- and launching a solo career of his own with the albums The Dream and the Dreamer and Waiting Out the Storm. Growing up in a conservative family in Georgia\, Ivey spent a number of years bouncing around the country\, working in kitchens and playing guitar. He eventually ended up in Nashville where he met Price. Creative and romantic partners\, the couple spent some time in Colorado busking and writing songs together before heading back to Music City\, where they eventually married and became active in the local indie scene. After playing a background role in various local bands\, including the Secret Handshake\, Ivey and Price formed Buffalo Clover in 2008. The band’s vintage-inspired country\, rock\, and soul earned them an audience\, and over the next several years\, they released three albums together. When Price released her solo debut\, 2016’s acclaimed Midwest Farmer’s Daughter\, Ivey settled into a sideman role as her musical foil/lead guitarist during the next several years. In 2019\, after many years of working as a collaborator and supporting other artists\, he took his own turn in the spotlight\, signing a deal with Anti- to make an album of his own. Released in September of that year\, Ivey’s debut\, The Dream and the Dreamer\, offered a mix of warm\, guitar-driven country rock and folk with a light touch of psychedelia. Proving himself to be a quick worker\, he went right back into the studio to record 2020’s musically similar\, though more overtly political Waiting Out the Storm which\, like its predecessor\, was produced by Price. Then came 2022’s Invisible Pictures with its complicated core progressions and lush arrangements (produced by Andrija Tokic) and early this year he released his fourth full length album that he recorded himself at his house on an old tape machine. Ivey doesn’t seem to be slowing down anytime soon. He was recently nominated for a Grammy for the writing of Margo‘s Hard Headed Woman LP. \n \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/margo-price
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
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