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DTSTART;TZID=America/New_York:20260802T130000
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CREATED:20260415T182257Z
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UID:10000992-1785675600-1785675600@www.prescottpark.org
SUMMARY:Camp ENCORE! in Mean Girls JR.
DESCRIPTION:The Plastics have deemed Broadway Junior worthy of their presence in Mean Girls JR! This “fetch” musical from book writer Tina Fey (30 Rock)\, lyricist Nell Benjamin (Legally Blonde) and composer Jeff Richmond (Unbreakable Kimmy Schmidt) is packed with keen wit\, an undeniably catchy score\, and a sincere message for everyone. Adapted from Fey’s 2004 blockbuster film and the Broadway smash hit\, Mean Girls JR. will be the queen bee of your stage! \n\n\n\n\n\nA fearless musical about chasing popularity and being true to yourself. \n\n  \nPerformers\, artists\, and aspiring technicians ages 13-17 from the Festival’s beloved educational program\, Camp ENCORE! come together for our special Teen Intensive Session to gain valuable teamwork skills\, experience theater arts\, and build confidence. Mean Girls JR. is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-mean-girls-jr-2
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
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DTSTART;TZID=America/New_York:20260803T190000
DTEND;TZID=America/New_York:20260803T190000
DTSTAMP:20260525T070404
CREATED:20260505T185804Z
LAST-MODIFIED:20260520T135726Z
UID:10001001-1785783600-1785783600@www.prescottpark.org
SUMMARY:Josh Ritter
DESCRIPTION:Josh Ritter is a renowned singer\, songwriter\, musician\, artist and best-selling author. One of today’s most thoughtful and prolific voices\, he has released eleven studio albums including 2019’s widely acclaimed ‘Fever Breaks’ of which NPR Music praised\, “He remains a hydrant of ideas while embodying an endless capacity for empathy and indignation\, often within a single song.” \nHis twelfth studio album ‘I Believe in You\, My Honeydew’ will be out 9/12/25. New songs “You Won’t Dig My Grave” and “Truth is a Dimension (Both Invisible and Blinding)” from the forthcoming record are out now. Two-plus decades into his celebrated career\, Ritter has written music that has transcended generations including luminaries such as Bob Dylan\, Joan Baez\, and Bob Weir covering his songs. \nIn addition to his work as a musician\, Ritter is also a national best-selling author\, having released two novels to date: 2021’s The Great Glorious Goddamn of It All and 2011’s Bright’s Passage. Released to critical attention\, Stephen King wrote in The New York Times Book Review that Bright’s Passage “shines with a compressed lyricism that recalls Ray Bradbury in his prime…This is the work of a gifted novelist.” \n“Josh Ritter remains at the top of his game two decades into a highlight-strewn career. He’d be forgiven for loosening his grip\, but his hand has never felt surer.” \n– NPR Music \n“Harking back to Bob Dylan\, Bruce Springsteen and maybe a little Mark Knopfler\, Mr. Ritter has always been a slinger of serious ideas and high-flown imagery.” \n– The New York Times\n \n“Mysterious\, melancholy\, melodic…and those are only the M’s.” \n– Stephen King in Entertainment Weekly \n \n  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/josh-ritter
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/05/SQUARE-10.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260805T190000
DTEND;TZID=America/New_York:20260805T190000
DTSTAMP:20260525T070404
CREATED:20260505T200712Z
LAST-MODIFIED:20260520T135730Z
UID:10001002-1785956400-1785956400@www.prescottpark.org
SUMMARY:Devon Gilfillian
DESCRIPTION:Time Will Tell is the album that Devon Gilfillian has been preparing to make his entire life. But some things needed to happen first—namely\, he needed his life to change\, for the road to wind\nthrough a few curves and over a few bumps before the classically modern and magnetic soul singer could write these songs. He needed to confront his family’s mortality. He needed to endure a relationship whose cracks nearly broke him. He needed to take control of the way he made his records\, to believe that he and his closest confidants had what it took to shape the record of his life. Here’s how they did just that. \nYou should first know that Devon’s father\, Nelson Gilfillian\, likes to keep it clean. A father of three now at the edge of 70\, he hits the gym five times a week and generally watches what he eats. Though he raised his kids just west of Philadelphia\, he lives now just east of Nashville\, in the rural outskirts of Lebanon. A lifelong musician and wedding singer\, Nelson’s one indulgence these days might be his Wednesday night trips into the city\, where he plays congas in a weekly R&B and jazz jam at the Flamingo Cocktail Club. \nDevon\, then\, was stunned and confused when his mom called in September 2023 to say that Nelson\, then 67\, had suffered a heart attack. His own father had died at that age\, but the prognosis for Nelson seemed much better—a few stints\, then back home to Lebanon. Nelson is the reason Devon is a musician\, having taken the kid to guitar lessons and fed him the great records. So the son did what he assumed the father would want: He walked onstage in Portsmouth\, New Hampshire\, played his show\, and flew home the next morning. \nIn a matter of weeks\, Gilfillian wrote “Glad to Be Here\,” a bittersweet and beautiful ode to existence\, to slowing down long enough to remember what a gift it is to be alive at all. Like the sun slipping through closed curtains on a cold day\, “Glad to Be Here” is the aching and grateful country-soul centerpiece of Time Will Tell\, his fourth album and honest account of the extreme highs and lows that come with living. Nelson’s health scare coincided with the protracted and painful end of a long relationship that Gilfillian steadily realized was making him worse in almost every way that counted. The dozen songs of Time Will Tell first document the work it took for him to reach the end of that road—and\, then\, the sense of liberation and burgeoning joy he has found at the start of a new one. Time Will Tell does what classic soul and country records often do best: share the troubled state of someone’s heart in exquisite detail and look for a way forward. \nNot long after Gilfillian moved to Nashville a dozen years ago\, he wrote a song for his parents—his mom\, Ginny\, specifically. They were still up north\, and he missed them. It was called “Home\,” the first tune he’d written that he felt like he could share without qualms. It was a breakthrough for Gilfillian\, who suddenly understood that writing and singing could function as therapy\, that his talents were a ready-made outlet for his troubles and maybe his triumphs. That sensibility was clear on Gilfillian’s first three albums\, especially the ecstatic eruptions of 2023’s Love You Anyway. Even his full-length\, friend-studded cover of Marvin Gaye’s What’s Going On\, released amid the turmoil of 2020\, felt personal in that way\, like he was looking for a sanctuary of his own in song. \nBut that idea became something of a life raft for Gilfillian in the intervening years. As he struggled to save a relationship into which he’d put so much time and love\, he found himself writing about differences that he slowly recognized as irreconcilable. Gilfillian\, for instance\, is a morning person; as he realized his partner truly blossomed at night\, he mourned the distance that lifestyle discrepancy created between them with “Moonflower\,” a neo-soul wonder about respecting but regretting what makes someone themselves. And on “Black Dog Rabbit Hole\,” he took frank stock of the impact the tension was having on his own wellbeing\, how he was using his own depression and addiction as an escape hatch for an increasingly bad situation. \nGilfillian and his longtime drummer and friend Jonathan Smalt intuitively understood that the best way to capture the feelings in these songs was to cut them as quickly as possible. Gilfillian and Smalt have worked with several ace producers in the past\, including Shawn Everett and Jeremy Lutito\, but they felt like they finally knew enough to try it themselves. They asked Dave Cobb if they could borrow Nashville’s legendary RCA Studio A\, then recruited a few ace engineers and producers—Reid Leslie\, Michael Harris\, Ran Jackson—to help man the varispeed tape machines and make a few key calls. They built a band of session aces and strong sets of string and horn players\, then tracked most of the vocals with single takes. Neal H Pogue\, the producer legendary for his work with the likes of OutKast and TLC\, was so passionate about Gilfillian’s demos that he enlisted as executive producer\, eventually mixing the album himself. Everyone wanted the songs to feel like the epiphanies that had shaped them\, for the recordings to reflect the realness of Gilfillian’s circumstances when he wrote them. \nIt absolutely worked. “Black Dog Rabbit Hole” is a riveting hard rock snapshot of mania\, Gilfillian’s voice switching between falsetto frailty and a tormented bellow as he tries to find his way out of a spiral. Gilfillian has never made anything quite so raw\, quite so cutting. With its gospel surges\, ringing bells\, and jittery guitars\, “Hold On (Hourglass)” races like a nervous heart\, a sleepless and agitated Gilfillian wondering if his commitment to holding on is just a way of fooling himself. On “IRL\,” where a boom-bap beat undergirds an organ’s psychedelic whirr before the whole thing snaps into a funk strut\, Gilfillian gets stuck in the conflict between leaving and staying\, between indulging what his body wants and his mind needs. The song is so unmitigated it feels like you’re listening to a real-time argument he’s having with himself about his future. These aren’t breakup songs so much as exacting maps of Gilfillian’s relatable inner conflicts as he tries to find ways to be happy—ways of being\, like his father\, simply glad to be here at all. \nGilfillian ends Time Will Tell not with an apology but with a permission slip. As magnetic as a Cat Stevens staple but as warm as a Sam Cooke ballad\, “You Can Hate Me Now” acknowledges that no end is ever easy\, that all the effort in the world still won’t make a split feel smooth. “There’s no other way underneath the pain\,” he sings\, his voice trying not to break beneath the strain. Given the song title\, it is staggering how likable Gilfillian seems in this moment\, how vulnerable he is being about his own failure and frailty. “We just gotta go through\,” he continues. What else is there in life or on an album like Time Will Tell than to go through? To get to where we’re going\, we’ve got to suffer a little. Time Will Tell is the sound of Gilfillian doing exactly that but realizing what a blessing it is to be here at all\, with the chance to hurt and learn and ultimately move on. \n \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/devon-gilfillian
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/05/SQUARE-Devon-Gilfillian-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T190000
DTEND;TZID=America/New_York:20260806T190000
DTSTAMP:20260525T070404
CREATED:20260507T143458Z
LAST-MODIFIED:20260520T135736Z
UID:10001003-1786042800-1786042800@www.prescottpark.org
SUMMARY:Maggie Rose
DESCRIPTION:The latest album from Maggie Rose\, Half Moon reveals the rare magic of hard-won momentum meeting a creative spirit in peak bloom. After devoting more than a decade to deepening her craft and unlocking the full force of her extraordinary voice\, the Nashville-based singer/songwriter experienced a rapid rise in recognition\, including scoring back-to-back GRAMMY nominations for her 2024 LP No One Gets Out Alive and 2025 single “Poison In My Well” and earning an Emerging Act Of The Year nod from the Americana Music Association in 2025. Rather than succumbing to the pressure of heightened expectation\, Rose immersed herself in the making of her new album with effusive abandon. With its lovely alchemy of soulful symphonic pop\, R&B\, and Americana\, Half Moon arrives as a document of divine expansion and self-discovery—ultimately extending an invitation to embrace every facet of ourselves with grace\, courage\, and a wide-open heart. \n  \n“At first it felt strange to receive all these accolades I’d been wanting for a long time—instead of grounding me\, it made me feel anxious\,” says Rose\, who made her acclaimed full-length debut with 2013’s Cut to Impress. “But then the new songs started pouring out\, and it felt like such a gift. I realized the recognition had come at a time when I was finally able to fully articulate who I am through my music\, because of how my voice and my songwriting have evolved over the years. So if people are looking at me more closely\, I’m glad they’re looking now.” \n  \nCo-produced by Lawrence Rothman (Amanda Shires\, Margo Price) and Daniel Tashian (Kacey Musgraves\, Leon Bridges)\, Half Moon took shape through a charmed and fluid process that began with the three musicians meeting up every few weeks to write in Tashian’s home studio\, taking advantage of his abundant stash of instruments (e.g.\, Mellotron\, upright bass\, a saloon-style piano). “We’d leave each session with these beautiful\, fully conceived demos\, and after a few songs it became apparent that something special was happening\,” says Rose\, who was eight months pregnant at the outset of the album’s creation. As they gave voice to the complexities of her inner life—her lived experience of womanhood\, the sacredness of her closest bonds\, the thrill and overwhelm of expecting her first child—the trio of collaborators surrendered to a shared journey Rothman sums up as “a year-long wild ride of writing\, producing\, crying\, laughing\, babies being born\, and dreams coming to life.” Tashian\, meanwhile\, compares their creative kinship to “a bunch of kids building sandcastles on a beach and just enjoying the sunshine…We were all passengers\, and the songs were taking us wherever they wanted to go.” \n  \nSix months after the birth of her son Graham\, Rose headed to the historic RCA Studio A in Nashville and recorded Half Moon with an elite lineup of over two dozen musicians\, finding the album’s true cohesion through the kinetic energy of people gathering in a room and giving the songs their fullest life. Along with top-tier players like guitarist Tom Bukovac (Emmylou Harris\, Stevie Nicks)\, bassist Dennis Crouch (Elvis Costello\, Robert Plant & Alison Krauss)\, and keyboardist Peter Levin (The Highwomen\, Jason Isbell & the 400 Unit)\, that lineup included Rose’s touring band: percussionist Tim Burkhead\, bassist Judd Fuller\, guitarist M.P. Gannon\, and multi-instrumentalist Cav Mims. The follow-up to her 2025 EP Cocoon\, Rose’s fifth studio LP marks a bold departure from the rootsy soul of No One Gets Out Alive—a Best Americana Album GRAMMY nominee featured on best-of-the-year lists from the likes of Rolling Stone. Thanks in part to its lavish string arrangements and velvety horns\, Half Moon unfolds with both sophisticated ease and daring grandiosity—a direct reflection of her newly widened emotional world. “There’s a bigness to this music that was really exciting to explore\,” says Rose\, who names the orchestral pop of the Brill Building era among her touchstones for the album. “I think that has everything to do with this album coming from a moment when I was feeling a depth of love I’d never felt before\, and the subject matter being more awe-inspiring than anything I’d ever had to work with.The sound is orchestral and wide-ranging because I was trying to capture and portray the duality within the album.”     \n  \nPartly recorded at Sound Emporium Studios\, Half Moon takes its title from its soul-searching centerpiece\, written just two days before Graham was born. “My labor was induced so I knew he’d be born under a full pink moon\, which led to Lawrence and Daniel and I talking about the link between the phases of the moon and the way we see ourselves\,” Rose recalls. A low-lit reverie adorned in sumptuous strings and spellbinding piano melodies\, “Half Moon” inhabits a moody intensity as Rose muses on the nature of identity. “At the time I was overcome with emotion; there was so much love and excitement\, but also fear and anxiety about what parts of myself I might lose and not be able to reclaim\,” she says. “As I was working through all that\, it helped me to think about how the moon is always whole—it’s just presented to us in different ways at different times\, like all the many aspects of ourselves that we’re constantly trying to navigate.” \n  \nA gorgeous showcase for the vocal prowess that’s found her hailed as one of the finest singers in Nashville\, Half Moon begins with the slow-burning grandeur of “Used To It”—a rapturous expression of longing and lust\, spotlighting an artist in total command of her inimitable voice. “Even before most of the album was written\, I knew I wanted ‘Used To It’ to be the first track\,” says Rose. “It felt like the start of a new thread for me; there’s something elegant and elevated in its structure\, but it’s got some teeth as well. From a sonic standpoint\, I wanted it to open the record because it feels like an unwrapping: there’s a smoldering\, simmering build-up to a bombastic ending\, pulling the listener into the album’s journey.” Next\, on the wildly fun “Red Shoes\,” Rose’s vocals take on a joyful ferocity as she delivers a dance-ready anthem of unapologetic pleasure. “It’s a song about forgetting your responsibilities and everything happening in the world and just going out and having a good time\, which I think we all deserve\,” she says. And on “The Mission\,” Rose strikes a winning balance of assured sensuality and playful flirtation—a dynamic echoed in the groove-driven track’s glossy guitar tones\, effervescent strings\, and vibrant hand percussion. “There’s a confidence to ‘The Mission’ that feels really good to me\,” says Rose. “At the core it’s a love song\, but it’s also about owning your sexuality and however that manifests for you.”  \n  \nWhile Half Moon’s A-side radiates a lighthearted vitality\, its B-side brings nuanced introspection and tender emotionality to tracks like “Gentle Man”—an acoustic-guitar-led meditation on the trappings of masculinity. The album’s latter half also includes “Hiding In Plain Sight\,” a wistful piece of self-reflection penned with country luminary Natalie Hemby (one of her few co-writers on the LP apart from Rothman and Tashian). For Rose\, the album intimately chronicles a season of profound personal transformation—a period in time she refers to as “this amazing moment of expecting and then giving birth\, and re-emerging with a completely new part of my identity.” In sharing Half Moon with the world\, she hopes to provide listeners with a similar sense of refuge and release. “We’re in an extremely vulnerable time\, so I hope this record gives people space to feel whatever they need to feel\,” says Rose. “I hope it helps everyone to be more gentle with themselves and give themselves grace—and reminds them that\, just like the moon\, we don’t need to shine full and bright all of the time to do what we’re meant to do. Like the moon\, the whole of us is always there but just revealed differently depending on the light.” \n \n  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/maggie-rose
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Concert Series
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/05/SQUARE-Maggie-Rose.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T110000
DTEND;TZID=America/New_York:20260808T110000
DTSTAMP:20260525T070404
CREATED:20260415T181008Z
LAST-MODIFIED:20260522T202904Z
UID:10000987-1786186800-1786186800@www.prescottpark.org
SUMMARY:Camp ENCORE! in Willy Wonka KIDS- Extra Golden Ticket
DESCRIPTION:The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder\, in addition to a host of fun new songs\, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth. Roald Dahl’s Willy Wonka KIDS has a flexible cast size with many featured and ensemble roles\, including the singing and dancing Oompa-Loompas. \n\n\n\n\n\nRoald Dahl’s timeless story of the world-famous candy man and his quest to find an heir is a golden ticket to adventure. \n\n  \nPerformers\, artists\, and aspiring technicians ages 6-12 from the Festival’s beloved educational program\, Camp ENCORE! come together to gain valuable teamwork skills\, experience theater arts\, and build confidence. Willy Wonka KIDS is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-willy-wonka-kids-extra-golden-ticket
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/04/willy-wonka-kids-extra-golden-ticket-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T130000
DTEND;TZID=America/New_York:20260808T130000
DTSTAMP:20260525T070404
CREATED:20260415T181100Z
LAST-MODIFIED:20260522T202920Z
UID:10000988-1786194000-1786194000@www.prescottpark.org
SUMMARY:Camp ENCORE! in Willy Wonka KIDS- Extra Golden Ticket
DESCRIPTION:The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder\, in addition to a host of fun new songs\, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth. Roald Dahl’s Willy Wonka KIDS has a flexible cast size with many featured and ensemble roles\, including the singing and dancing Oompa-Loompas. \n\n\n\n\n\nRoald Dahl’s timeless story of the world-famous candy man and his quest to find an heir is a golden ticket to adventure. \n\n  \nPerformers\, artists\, and aspiring technicians ages 6-12 from the Festival’s beloved educational program\, Camp ENCORE! come together to gain valuable teamwork skills\, experience theater arts\, and build confidence. Willy Wonka KIDS is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-willy-wonka-kids-extra-golden-ticket-2
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/04/willy-wonka-kids-extra-golden-ticket-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260809T110000
DTEND;TZID=America/New_York:20260809T110000
DTSTAMP:20260525T070404
CREATED:20260415T181203Z
LAST-MODIFIED:20260522T202941Z
UID:10000989-1786273200-1786273200@www.prescottpark.org
SUMMARY:Camp ENCORE! in Willy Wonka KIDS- Extra Golden Ticket
DESCRIPTION:The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder\, in addition to a host of fun new songs\, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth. Roald Dahl’s Willy Wonka KIDS has a flexible cast size with many featured and ensemble roles\, including the singing and dancing Oompa-Loompas. \n\n\n\n\n\nRoald Dahl’s timeless story of the world-famous candy man and his quest to find an heir is a golden ticket to adventure. \n\n  \nPerformers\, artists\, and aspiring technicians ages 6-12 from the Festival’s beloved educational program\, Camp ENCORE! come together to gain valuable teamwork skills\, experience theater arts\, and build confidence. Willy Wonka KIDS is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-willy-wonka-kids-extra-golden-ticket-3
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
ATTACH;FMTTYPE=image/jpeg:https://www.prescottpark.org/wp-content/uploads/2026/04/willy-wonka-kids-extra-golden-ticket-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260809T130000
DTEND;TZID=America/New_York:20260809T130000
DTSTAMP:20260525T070404
CREATED:20260415T181305Z
LAST-MODIFIED:20260522T202959Z
UID:10000990-1786280400-1786280400@www.prescottpark.org
SUMMARY:Camp ENCORE! in Willy Wonka KIDS- Extra Golden Ticket
DESCRIPTION:The delicious adventures experienced by Charlie Bucket on his visit to Willy Wonka’s mysterious chocolate factory light up the stage in this captivating adaptation of Roald Dahl’s fantastical tale. Featuring the enchanting songs from the 1971 film starring Gene Wilder\, in addition to a host of fun new songs\, Roald Dahl’s Willy Wonka KIDS is a scrumdidilyumptious musical guaranteed to delight everyone’s sweet tooth. Roald Dahl’s Willy Wonka KIDS has a flexible cast size with many featured and ensemble roles\, including the singing and dancing Oompa-Loompas. \n\n\n\n\n\nRoald Dahl’s timeless story of the world-famous candy man and his quest to find an heir is a golden ticket to adventure. \n\n  \nPerformers\, artists\, and aspiring technicians ages 6-12 from the Festival’s beloved educational program\, Camp ENCORE! come together to gain valuable teamwork skills\, experience theater arts\, and build confidence. Willy Wonka KIDS is the culmination of this session with a fully staged public performance on the Arts Festival’s Wilcox Main Stage.  \n\nReservations\nTable and blanket reservations are non-refundable\, but can be transferred to another available date in the 2026 season. \nPlease Note: General Admission Donations do not include reserved seating. This is a way to make your gate donation in advance. \nTable reservations seat four.  \nBlanket reservations are placed in the blankets-only area of the lawn and do not allow for chair placement. Blankets are roughly 5′ x 5′\, comfortably fitting 2 adults and 1 child.  \nSee you in the park!
URL:https://www.prescottpark.org/event/camp-encore-in-willy-wonka-kids-extra-golden-ticket-4
LOCATION:Prescott Park\, 105 Marcy St\, Portsmouth\, NH\, 03801\, United States
CATEGORIES:Theatre
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